Gossip reloaded

Ok, some possible implications. Each implication is derived from the corresponding rule-nr. Should you take it serious? - it´s up to you:

1. Don´t trust anyone! Even the person you´re producing gossip with, could take out a camera and record the evidence for other purposes than just the own memory.
2. Nothing is what it seems. But the better the artwork the more valuable the information. In order to produce valuable information, better be creative.
3. The earlier you produce gossip, the smaller the potential damage - it takes longer until evidence is presented = gossip travels slower = less potential damage. Therefore if you intend to produce gossip, do it straight from the beginning on.
4. Always stand up in plenary and admit that the presented gossip is TRUE. It´ll count as extenuating circumstances.
5. If you realize on the next day that your gossip-partner is not fitting you´re perception, then you have to spread even more gossip about yourself in order to explain yourself.
6. You should help the FBI officers to get a clear picture of the gossip - otherwise someone else might get the credits.
7. Gossip needs all your resources. Although men and women are recording the evidence, they might set different focus and you don´t want to drop out because you only attracted one focus right?
8. Next time have a closer look on the FBI officers. They just want to hide something!
9. You´ll never see the most interesting gossip in plenary, because the victim might be present and per definition he/she is not supposed to see it at the same time you do.
10. Give your best while producing gossip. There are always competitors around who try to produce a better output.